Real-Time Cinematics
Real-Time Cinematics
Bathroom Cinematic
Bathroom Cinematic
Bathroom Cinematic
A modern architectural visualization created for the Water Is Life campaign, emphasizing realistic lighting, interior materials, reflections, and cinematic environment design.
A modern architectural visualization created for the Water Is Life campaign, emphasizing realistic lighting, interior materials, reflections, and cinematic environment design.
A modern architectural visualization created for the Water Is Life campaign, emphasizing realistic lighting, interior materials, reflections, and cinematic environment design.
Overview
Created as part of the Water Is Life campaign, this cinematic showcases a fully realized modern bathroom environment designed inside Unreal Engine. Although originally built to support the commercial, I later developed the environment into a standalone cinematic to focus on architectural visualization, realistic lighting, reflections, and material development. Drawing from my previous experience in construction, I designed the space with an emphasis on believable proportions, functional layouts, and cinematic presentation.
My Role
Director • Environment Artist • Architectural Visualizer • Lighting Artist • Material Artist • Cinematographer
Tools Used
Unreal Engine 5.7 • Maya • Quixel Bridge • Movie Render Queue • Sequencer • Adobe Premiere Pro
Process / Workflow
Process / Workflow
Process / Workflow
The bathroom began as a production environment for the Water Is Life commercial before evolving into its own cinematic study. I modeled many of the architectural elements and custom props while integrating high-quality assets where appropriate. Special attention was given to emissive lighting, HDRI daylight, Lumen reflections, planar reflections, and realistic mirror materials to create a believable interior. The final cinematic uses wide-angle lenses to capture the full space while emphasizing mood through warm lighting and subtle camera movement.
The bathroom began as a production environment for the Water Is Life commercial before evolving into its own cinematic study. I modeled many of the architectural elements and custom props while integrating high-quality assets where appropriate. Special attention was given to emissive lighting, HDRI daylight, Lumen reflections, planar reflections, and realistic mirror materials to create a believable interior. The final cinematic uses wide-angle lenses to capture the full space while emphasizing mood through warm lighting and subtle camera movement.